Review of Slamfest’s 2 Year Anniversary

*Note: I was not able to stay for the entire matinee. And I forgot my memory card, so I have no pictures to link to.

A lot can happen in two years. Companies can form, people can start a life together, families can grow.
But on Sunday July 28th, 2 years was marked as an anniversary for Hammer City Records and their Sunday Slamfest matinees.
Always 4 or 5 great bands at an awesome price, Sunday Slamfest has been giving Punk Rockers in Hamilton somewhere to go at the end of every month for 2 years now.
I attended this past Slamfest and it was fantastic as always.
Before I dive into my quick review, I want to thank Craig and Leah, the staff at Hammer City Records, Jaime Problem, and everyone at This Ain’t Hollywood. They all do such amazing work.

1st Band: Sketchbooks.

Sketchbooks is one of those bands that make my personal top 30, and I was really happy to see them. (Before, I had only heard their mp3s.)
Their live set only adds to the experience if you’re a fan. Their set ignited the place. Fast, ferocious, fuzzy Hardcore blared out at me from the band and it was awesome.
Adding to the set was that the singer stood in the pit and let people join in. In my opinion, that’s important. Let your fans join you, and you’ll only see good results.

10 out of 10.

2nd Band: System System.

System System were a completely new band to me. I had never heard anything by them, so it was a nice surprise to see and hear this great band that reminded me of 80’s Hardcore.
The whole band worked as a great unit, playing hard and furious.
My only complaint is I had some problems understanding the lyrics, but other than that their set was great.

9 out of 10.

Review Of Slender Loris’s World Tour (album)

Slender Loris is just one of those bands.
You can’t help but notice and like them. Whether it’s for their style, their politics, (see songs such as ‘H.S.T’ and
‘Christ Was A Guerilla Fighter’ on this album alone), or even the guys themselves; who are friendly as all get out.
World Tour, their second album released the month of their World Tour, (check slenderloris.bandcamp.com or the bands Facebook page for details on where the band will be.), is a spectacular band. It shows the bands growth since Goreos, while maintaining the Slender Loris sounds and ideals.

Track 1: Clear Plastic Bags.

Opening with a quiet primal scream, the band begins to sing ‘get the fuck of this place.’ It’s instrumentation, all gritty guitars and rhythm section; with the lyrics, puts you in mind of a road-trip.

Track 2: New Deal.

A song that swings back and forth between dead quiet and messy, full-band greatness; New Deal speaks of someone who never takes the blame that they are owed.

Track 3: Roadtrip with Lars.

Speaking of trust, Roadtrip with Lars is a Slender Loris classic. Loud instruments, drastic changes in vocals, and proclamations through-out the song.

Track 4: Contrafact.

This track is one where I admit I might be getting something out of the song that the band didn’t intend. You see,
Contrafact mentions running, the sky, nightmares, dead air, and vegetation. To me, it’s a song about the environment
and the consequences of not caring for it. That’s just my take though.

Track 5: SCkillaP

A rallying cry that repeats ‘Fight! Fight!’, this is easily one of Slender Loris’s more Punk Rock tracks. There
are these perfect breakdowns near the end, and the whole song comes together nicely.

Track 6: John 5 Has Too Many Telecasters.

This track begins with a primal drumbeat and leads into this gritty instrumentation. I have to admit, on this
track, I had a hard time understanding the lyrics. But the music is stunning.

Track 7: Milo < Plato.

On Goreos, we got the song Milo eats Plato. On World Tour, the story is continued. ('Spill the blood.')
The backing music is just right, building and weaning when needed.

Track 8: H.S.T.

Taken from Goreos, 'H.S.T' is a political track; speaking of the tax and the consequences that came from
combining the GST and PST. The music is a solid, rumbling undertone; letting the lyrics speak.

Track 9: Pots and Pans.

While a glorious wall of noise plays in the background, 'Pots and Pans' speaks repeatedly of defending yourself.

Track 10: Chemtrails.

Voicing their opinion on the much debated chemical trails, this track is dare I say it; bouncy. Sure it is noisy,
but it has a bouncy spring in it's step.

Track 11: Plug.

With a noisy melody, 'Plug' advises 'Pick Your Side/ Choose Wisely.' With the doo-das in the background, this is
like a Punk lullaby.

Track 12: (not as hardcore as) Dismantle.

The name kind of tells you what to expect with this one. Slender Loris are comparing themselves to the now
disbanded Dismantle and saying they're not as hardcore. The music beats away in the background, again letting the
lyrics speak for themselves.

Track 13: Abcab.

A track that could easily be moshed to, Abcab is, (I think) someone who has had too much to drink. I say this
because the lyrics repeat 'Down boy' and 'Dry it out'.

Track 14: Explicit Version/ Illegal Fire Times.

Beginning strong, then breaking down and going strong again; Illegal Fire Times is another political track. It's
one of those songs that can easily be chanted along to.

Track 15: Rupert Murdoch Is A Sensitive Man.

A song about getting together and changing things, Rupert Murdoch Is A Sensitive Man is a blazing song that makes
you think. The instrumentation matches nicely, blasting furiously.

Track 16: Christ Was A Guerilla Fighter.

Another track that could easily be moshed to, Christ Was A Guerilla Fighter talks about everyone being piled up.
(And more. I just found it hard to catch some of the lyrics.)

Track 17: Futilitarians Must Be Bored.

The heaviest song on World Tour, Futilitarians Must Be Bored is more hardcore than anything. I had trouble with
the lyrics on this one too.

You can download this album for free at http://slenderloris.bandcamp.com/album/world-tour.

*Note: I want to thank Slender Loris. They thanked in their World Tour thank you's, and I am flattered.
Thanks Slender Loris for making such great music!

Thunder Issue 16

*NOTE: Due to a mis-count, Simon Marshall’s issue wold have been Thunder Issue 15, not 13 as it is written. Sorry about that!

This interview, when it happened, could not have had me any more nervous.

Chris Walter, who is known as a writer of Punk Rock fiction and nonfiction, is someone I really respect.

As always in my mind though, I jumped to worst case scenario. (I call it my case of the ‘What Ifs?’)

What if I stumbled over my words so bad, I couldn’t get a sentence out; let alone an interview?

What if I had a really bad panic attack and had to leave? (It’s happened before.)

Or; an extreme What If:  What If Chris Walter was really snooty?

As usual, my worry blows thing way out of proportion. Chris was fantastic to interview, and it was great to meet a fellow writer.

*Note: I did this interview in two part. Asking some questions during the Q&A, and later on one on one.

During Q&A:

KW: I was wondering; I was told that you started out by writing a zine. What was your zine like? What was it about?

CW: In 1982, I was trying to hack it together on a borrowed typewriter and you know, my friend asked me ‘What are yo doing?’ And I told him, ‘I’m going to write a fan zine.’ And he said ‘What are you going to call it?’ and I said I’m going to call it ‘Pages Of Rage.’ So he said, ‘Oh, o.k.’ I thought for sure he was going to tell I was an idiot and that it was never going to work, because that’s what he generally used to tell me. But he didn’t discourage me for it, so we actually got it together. You know, we misspelled, mistyped, and we took it down to the library and collated the thing. I was surprised when we actually sold it all for a dollar a copy. You couldn’t do that nowadays, because alot of stuff is paid for by the advertising. The first few issues were really crappy photocopy jobs, but an overachiever friend of mine, he had it printed in a place in town that used offset printing, and we started doing runs of a thousand, distributing them all over North America. And I was surprised at the success we were getting. But then we realized it was alot like real work. And that was kind of a problem. So we stopped doing it. (Laughs in room.)

 

KW: How do you pick the bands you write about?

CW: I thought I’d pick bands maybe I knew personally. And bands I listen to. And SNFU, Personality Crisis, and DayGlo Abortions certainly fit those catrgories. I also wanted to cover Canadian bands first, but I’m not going to limit mysef to them. Personally, I’m running out of bands that fit the criteria, so my next book might be about a British or American band. But I wanted to cover the Canadian stuff that was important to me first.

 

During One On One:

KW: How do you get started when you start a story or subject? Do you start on paper, on a computer?….

CW: On a computer. I used to write stuff by hand before I had a computer, but that’s the hard way to do it. You know, I revise and edit so much, it’s carpal tunnel material.

KW: How do you pick a subject for a book that you’re working on?

CW: I try to go with what’s currently happening in the scene, and who’s active and put out a new album. I just listen around and see who’s doing what. You do stories around them, not some band that broke up 10 years ago. You know what I mean right? Isn’t that what you do?

KW: What made you want to write about SNFU?

CW: They’ve been around for 30 years, influenced people all over the world, hell I’ve known two of the members for 30 years so it made perfect sense to do it.

 

KW: What makes you want to write about Punk in Canada?

CW: I’ll write about Punk anywhere, but Canada is where I live. My next book might not be about a Canadian Punk band, but I wrote aboutte bands that were important to me first.

KW: I know you just completed a project, but I have to ask. Do you anything for a next book in mind?

CW: I have a few ideas. A few bands I’m considering. But I won’t say who they are until it’s finalized.

KW: You write fiction and nonfiction. Is there one genre you perfer?

CW: They’re both so different. Like fiction is great because you can explore your creativity. But I also like writing nonficition. It’s rewarding to do music biographies because you learn so much about the bands you like. It’s a learning process.

KW:Did you think that when you started writing it would ever come to this point?

CW: No. I had no idea. I was writing because I had nothing better to do. But I knew I had to do something because I felt like I was wasting my life.

(After that we exchanged good-byes, as Chris had to go.)

You can get Chris’s books here in Hamilton,Ontario, Canada at Crash Landing Punk and Music store or at Hammer City Records.

Or to get an idea of his books, hit up punkbooks.com

SOME BANDS TO WATCH:

Frankie and Jimmy.

Even though they are a duo, this pair kicks some major musical a*s. (They make as much noise as a band.)

They’re unique, as they aim to blend Punk and Classic Blues with guitar, a harmonica, and a voice that won’t be forgotten soon.

They have a free download. Their rendition of ‘Maggie Campbell Blues’ available on Bandcamp.com.

frankieandjimmy.bandcamp.com.

Dismantle.

A band I have yet to see, (and I look forward to when I do), Dismantle sounds like Hamilton. I know you probably ask how, but just go with me on this.  They’re Punk, they’re gritty, they’re great. And their 2 free downloads are available at:

dismantle.bandcamp.com

Spanner.

They’re from the U.K, but Spanner have been making waves in my scene. Quite a few people talk up this Ska-Punk band, and for good reason. Their music covers everything border patrols to the government and other important issues, all set to awesome music. They have a 13 track album up free at: rebeltimerecords.bandcamp.com

SOME UPCOMING SHOWS/ EVENTS:

As it’s the 3rd Tuesday of the month, the Lyric Theatre will be hosting it’s monthly Youth Poetry Slam and Open Mic. Not to mention it’s workshop with the featured poet. (This month it’s Lisa Slater.) Things kick off at 6pm for the workshop, 7pm for the poetry. Admission is $2 for 18 and under, $5 for 19 and over.

Janice Lee and The Free Rads play the Artword Artbar on January 18th with Lorimer Longhaul, Jon The Bassit and more. The event is Pay What You Can, and gets started at 8pm. I don’t know if it’s All-Ages or not.

Panzerfaust, Unbowed, Erimha, and Necrodios play the Doors Pub January 18th. It’s $12 at the door, $8 for advance tickets. (Advance tickets can be purchased at Dr. Disc or at Hammer City Records.) This event is 19+, and starts at 8pm.

In response to recent crimes that have taken place in the city, this months Slamfest (we’re at number 19. Awesome!) will have an anti-violence theme. I’m always a big advocate for Slamfest, but I especially encourage attending this one. Slamfest starts at 3pm, admission is $6, and this show is All-Ages.

This issue I would like to thank:

Chris Walter, for agreeing to be interviewed
Suzanne Kirkwood and Chris Crash for helping to get me this interview
My Mom and Dad
My Friends
Anyone who reads this zine
The City Of Hamilton

Hamilton Poetry Nights At The Lyric Theatre.

I find Hamilton an intriguing place.

It’s full of places to explore, people to meet, and a lot of stuff to do.

One of the latest things to do are poetry nights at the Lyric Theatre.

Consisting of 4 portions (a workshop, an Open Mic for all ages, a Slam portion for 22 years and under, and a reading from a feature author), these evenings have captivated me since I heard about them last month.

I actually went to last month’s edition, and I loved it. I haven’t read my poetry aloud since high school, so it was great to get back to it. The crowd was receptive, and my anxiety was made things worse in my head than they actually were.

If anyone is interested in attending, the event takes place the third Tuesday of every month at the Lyric Theatre. Start time is 6pm for the workshop, 7pm for the Open Mic and Slam. It’s $2 for everyone 18 and under to compete, and $5 for everyone 19 and over. (For rules and things like that, the site is: burlingtonslam.wordpress.com)

Good luck to everyone who comes out and reads!

 

 

Review Of NOT’s ‘Demo’.

NOT have changed a lot in the times I’ve seen them and heard their music. Their last few releases were more of a milder Hard-Core (to me). And they included more Ska and other influences.

This release, ‘Demo’, is rough, raw, and ragged. But that’s all in a good way. Think 80’s Hardcore.

A few things has always remained consistent, by the way.

-Their ability to put out amazing music

-Their ability to play beyond their age (All members are under college-age)

-The way they ‘own’ the stage when they are on it, so to speak.

 

1st Track: Pin.

Building up from a slower melody, ‘Pin’ gets going into a heavy thrasher. It seems to be about severed friendships and the feelings that go along with that, from what the lyrics are.

 

2nd Track: Species.

‘Species’, from what I take from the lyrics, is about violence. (‘Shoved in a bag/ Smashed to bits….)  It’s one of the angriest tracks on the album, and certainly speaks volumes; in both words and musical accompaniment.

 

3rd Track: Shivering.

A song that tells of a fight and fear, I found this third track the most relatable. The words, oddly enough, describe parts of what my panic attacks feel like. And the music had that chaos-y feel that my mind does while experiencing one.

 

4th Track: Larkhill.

 

I would have to say ‘Larkhill’ is a vindication track, just because of the lyrics. (‘You’ll think once/ you’ll think twice/ But now I know in the end I was right.) It also, to me, feels like the most ‘structured’ song on the album, despite what sound like laser effects and a chaotic undertone.

 

Thunder Issue 15

Since I saw them a week before my birthday in September 2011, Adelleda has been one of my favorite Hamilton Punk bands.

They have great songs, superb musicianship, and what they stand for is simple but inspiring. Hamilton and audience inclusion in the show. (The audience is encouraged to join in on songs, whether on the floor or on stage.

That’s why I thought it would be fantastic when Simon Marshall, Adelleda’s drummer, volunteered to give an interview over email for Thunder’s one year anniversary.

And the interview is pretty awesome. After that, I’ll doing something a little different here and in other issues. Instead of making interested people search out the band, I’ll be putting a link to the band’s page online page. (Where I can. Some bands I’ve even had trouble locating.)

I’ll also have some new band recommendations, and links to them.

Best part? Most stuff I listen to is legal AND free!

Here’s the interview. Enjoy:

KW: How did you become interested in Punk Rock?

SM: It all started after hearing Green Day’s Dookie  at the ripe age of 12.  Later that year Rancid’s ..And Out Come The Wolves found its way into my tape deck and I was locked in for life.  Now I’m 28 and still get the same feeling when I hear those albums.

KW: At what age did you start playing drums?

SM: Believe it or not, I had always been a guitar player.  After earning my first pay check ever at a part-time grocery store job, I put a deposit down on a vintage Ludwig kit and that’s how it started.  I was 17 and starting to play drums in punk bands.

KW: Simon, you are, (and have been), in quite a few Punk bands. What is something you have learned from each one?

SM: Whether its punk rock, hardcore, skate punk, old school, new school, whatever, I’ve learned to mesh with a variety of backgrounds.  I love to take something away with me and incorporate it into the next band.  Recently I’ve heard some hilarious stories while playing with Glen and Crash in Hamilton Defence Army.  At a rehearsal Crash was telling me about being a young punk out for a drink with his old man when a group of drunken hillbillies started heckling him from across the bar.  He got so fed up with their antics that he went right over to their table, outnumbered of course and called them out.  It went something like this:

Crash – “Yeah I hear you talking about me.  So here I am.  What’s up?”

Hillbillies – (Looks surprised then long pause) “Your style.  What are you?”

Crash – “Canadian”.

They were so taken back that they ended up buying him and his old man pitchers of beer!  I want to write a song about that some day.  When you play in bands with older dudes I think it’s important to absorb much of what they have to say and learn from them.

KW: How do you think Punk Rock has changed since you became interested in it?

SM: The internet has made it so dispensable now.  You used to find out about bands by going to shows and signing up for mailing lists.  Now it’s all at your fingertips.  You don’t have to dig as deep anymore and because of that I think fewer people actually go to shows just cause there’s a show in town.

KW: My next few questions will focus on Adelleda specifically. Now, Adelleda touts themselves as Hamilton proud. What is your opinion of the city, and the music it produces?

SM: Hamilton will always be my home and the guys in Adelleda really respect this city.  In my opinion there is a level of culture and history here that can’t be compared to in surrounding cities.  That’s what the song “Champion” is about on the new Adelleda E.P “Let’s talk about Adelleda”.  It’s our anthem for Hamilton.  We all know the city is a hub for touring bands which is great for not having to travel to Toronto.  We have a lot of great local talent here to open up the shows.  Some Hamilton punk bands that I’ve been listening to lately include: Wiggler and the Tiny Humans, Born Wrong, The Pre Nods, Web Society, NOT and The Steeltown Spoilers.

KW: Adelleda are a band, (I think), that works to include their fans in their shows, music, etc. How would you describe the band, in your own words?

SM: When I go see bands, I don’t want to just see music being played, I want a show!  During an Adelleda set we want to give you a show.  Our goal is to have everyone into it as much as we are.  When everyone’s feet are on the ground at the same time, we know we must be off the stage.  During our sets we invite our friends up to sing along (See our Bro Hymn cover by Pennywise).  Often times the guys play from the crowd.  One of these days I’m going to set my kit up from the crowd.

KW: Who are you listening to right now?

SM: I’ve been listening to a lot of Banner Pilot lately.  I just saw them at the Fest and they dazzled me so much that I just had to have their whole discography.  I guess it’s a custom at their shows for you to shake up your tall cans and spray each other in the crowd while they play.

You can check out Adelleda at:   adelledapunk.bandcamp.com.

There, you can download their debut Herkimer Street and ‘5 Months In England’ from the E.P ‘Let’s Talk About Adelleda’ for free.

SOME BANDS TO WATCH:

The Drunken Knights.

I got a band pin from member Jsn ‘Disease’ Batista at this year’s Rebel Fest, (which falls in the spring), and was wondering what had become of the band. Well, I got my answer a few days ago in the form of this E.P.  5 tracks of crunchy guitars, thudding drums, a thundering bass, and enough topics to hook almost every kind of Punk listener. The E.P, entitled One Drunken Knight e.p, is available for free at: oithedrunkenknights.bandcamp.com

Rising Crust.

Playing with words, Rising Crust is a band that combines Hardcore and Metal; (awesome), and pizza is their theme. (Awesome too.) I got an e.p off their Bandc*mp page a while ago, but now there is only one song. Still, one song is better than none, as this track in particular seems to bring together elements of Punk, Metal, and even ambient music.

You can get a free track at:  risingcrust.bandcamp.com

Debt’d.

While a lot of Punk bands seem happy to play it loud, (and they sound great that way), Debt’d take it in the opposite direction. Sure, their sound is full and could be loud if turned up, but this is lo-fi at it’s best. Lyric-wise, this band covers A TON of content, from personal lives to not exactly loving authority.

Debt’d have 2 free releases, and they are available at: debtd.bandcamp.com.

SOME UPCOMING SHOWS:

Wiggler!?! And The Tiny Humans; and The F*ckholes, open for none other than Punk/ New Wave legends The Rezillos at This Ain’t Hollywood on November 23rd. I have a start time of 9pm and an admission price of around $20.

Dismantle, Debt’d, Born Wrong, and At What Cost play the 17th edition of Sunday Slamfest. Always reliable, admission is $6, bands start at 3pm, and the location is This Ain’t Hollywood. That’s Novermber 25th.

For more shows, I definitely recommend checking your local listings or asking friends. (The last one is especially interesting. Half the shows I go to aren’t even in listings and I wouldn’t know about if not for friends.)

This issue, I would like to thank:

Simon Marshall

Adelleda

The City Of Hamilton

The Province of Ontario

All my family

All my friends

Everyone who reads this zine, no matter what format they read.

This has been a Made Of Steeltown Publication.

What’s Coming Up In Ontario.

*Note: All prices are in Canadian funds.

 

I was thinking recently about two things.

1: We don’t have much of the year left.

2: I haven’t written recently about upcoming shows.

So I decided to gather up a bunch of dates that I knew about and put them up. I’ve seen a lot of the local bands before, so when I say a show by them would be worth seeing, take a woman at her word.

 

In the Legendary category, the Misfits play Toronto. Tonight. The venue is the Opera House, and if you feel like trying to get in, go for it! I have the start time at 6:30pm, and there are quite a few opening bands. (I only know tickets are available at Rotate This. I don’t have any information on prices.)

 

On October 26th, Witch Mountain, Swords Of Texas, Quiet Lakes, and Castle play the Doors Pub. Tickets are $10 in advance, (you can get them at Hammer City Records or Dr Disc) or $15 at the door. The show starts at 10pm.

 

Also on October 26th, there is Hallowpunk at the 460 in Toronto. Bourbon DK, The Skullians, The Rebel Arms and more play the event. It’s a 19+ show and admission is $5.

 

October 27th is this year’s Zombie Walk date!  There’s the walk, a public wedding, and more; so please check out hamiltonzombiewalk.com to plan your day! Also, please remember food for the food drive. There’s admission for some activities. (But it’s mostly under $20.)

 

Sunday Slamfest 16 happens on October 28th at This Ain’t Hollywood. It’s $6 to get in, bands go on at 3pm, and it’s All-Ages. This will be a bittersweet show, as this is Web Society’s last before they take a hiatus. They play alongside Social Divorce, The Noble Savages, and Slender Loris.

 

To celebrate Halloween, the folks at the Bovine Sex Club are throwing a Punk show. Costumes are welcome, it’s 19+, doors open at 9pm, and it’s FREE! Who’s playing? The Skullians, Black Cat Attack, and a few more.

 

Another awesome, completely FREE show takes place the same night. (Why does that always happen?)  Frankie and Jimmy, Lab Rats Assemble, and D*Files play This Ain’t Hollywood on October 30th. Show is 19+ and costumes are welcome.

 

The actual day, (and appropriately, night), of Halloween, there are at least 3 different shows to go to. Doors Pub is having a Goth/Fetish party; with candy, a horror movie marathon, and prizes for best costumes. It’s $10 admission, things kick off at 8pm, and the event is 19+.

 

This Ain’t Hollywood hosts an electronica dance party for Halloween, with Ark Analog, Dex, and more. It’s $5 to get in before 10pm, $8 after. I don’t know if this event is All-Ages or 19+.

 

Napalm Death play the Opera House on the 1st of November with municipal Waste, Vektor, and Exhumed. That’s about all I know right now though, so if you’re heading out, Go*gle the bands or check the venue for things like prices, age requirements, etc.

 

Gatling play the All-Star Bar and Grill in Brampton November 3rd. (The address is 73 Bramalea Road, Brampton. For those of you like me, that know their hometown; but after that get hopelessly lost.) Joining them is Skatalyst, Ravyn’s Fall, and quite a few more. Tickets are $10, and I don’t know if this is All-Ages or not. As always, check before you head out.

 

Also happening November 3rd, Hangman Pinata play the Doors Pub with Meathook, Miner69er, and Bad Logic. (For now. More bands are to be announced, according to my information.)  This show is 19+, costs $5, and gets started at 9pm.

 

November the 10th, Gag Order play Charlie’s in Brantford. (43 Oak Street, Brantford.) This is their bass player’s last show, so it’s sort of a send-off party/show, too. Playing alongside them are End Program, Hangman Pinata, and Hooker Spit. This show is 19+, and things get started 9pm. Admission is $5.

 

Punk and New Wave legends The Rezillos play This Ain’t Hollywood November 23rd. Rounding out the show are Wiggler!?! and The Tiny Humans, and The Fuckholes. I don’t know how much tickets will be, or if the show is All-Ages or 19+, so definitely check This Ain’t Hollywood’s site.

 

What’s better than an awesome Punk show?  Helping to give a kid a holiday.                                                                                                                       Burly Calling is having it’s annual Toy Drive on the 6th of December, and if you donate a new toy; you get to see The Spicoli’s, Adelleda, and more!  (Admission is $5 without a toy. This event is 19+. Things kick off at 9pm at Joe Dog’s Burlington. 531 Brant Street, Burlington.)

 

That’s all I know about for now. I hope everyone gets out and enjoys themselves!