Thunder Issue 17

Thunder Issue 17
Created By Kristine Wales.

The following are my opinion only and covered under the Canadian Charter Of Rights and Freedoms, Section 2.

After a hiatus of almost 8 months, it feels good to be writing this zine again.
Alot happened in those 8 months, both for myself; and in the province’s musical landscape.
Bands broke up, they held shows; and much to my delight released music.
This is going to be an all album review edition, from some of my favorite bands that no longer exist; some that are old favorites; and some that I just recently got into.
Hope you enjoy.

REVIEW OF RACKULA’S OVES OF STEEL.

Track 1: G20

Beginning with a thumping, thudding bass; this is a heavy song in more ways in one.
It’s about oppression, but it’s also raising to meet that oppression.
This is political Punk at it’s best.
P.S There is a bit with a loudspeaker and that’s just kick-ass.

Track 2: H.P Sauce.

With gravy train riders in mind, this track has great pacing and makes me want to dance. (No one wants to see that.)
But that’s what makes it a good one, that lighter tone that still maintains it’s heavy presence in the background.

Track 3: Insecurities.

Back to the bass heavy side of things, this song talks about hating insecurities, and how they are voices in our heads.
It’s an every-person kind of message, which I think is great.

Track 4: Silly Girl.

This track is by far my favorite. Rackula shines through as a cohesive unit, and the lyrics speak of a very
relevant yet little discussed issue. (One person not quite loving the other as much in a relationship.)

You can download for free at: http://rackula.bandcamp.com/album/oves-of-steel. It was Rackula last album.

REVIEW OF DISMANTLE’S ASSORTED TRACKS

*Note this is not album on Bandcamp. Dismantle released their cassette tape tracks individually on Bandcamp.

Track 1: Passive Resistance/ Smash Yr T.V

A combo track, this is Punk in a nutshell. (To me.) Fast vocals? Check. Fast song (s)? Check. Making a statement in each
song? Check.
Passive Resistance message is clear. ‘Know what you’re fighting for.’ ‘Smash Yr T.V’ is Smash your television.

Track 2: No Prisons, No Borders

Opening nice and heavy, this song’s message is it’s title. It’s a solid track, making a nice wall of sound in your head.

Track 3: Action P.I.G.S

This track is, I assume, about police brutality. (Some parts go too fast for me to understand.) But if you listen to the track, it becomes obvious. Its swift, hard-hitting, and comes with a side of truth. That’s the Dismantle way.

Track 4: Don’t Forget (DISTAPE Bonus Track.)

This song is 51 seconds of equal spookiness, (to me), and common sense. It says to not forget your mothers words when you’re older. (Except a lullaby-like melody and this extraordinary voice do it. I think it’s spooky, but I think it’s awesome.)

Track 5: God/dog

This track opens slow and steady, and only builds. I think the topic matter is something everyone can get something different from. To me, I think the band was trying to say that God is a man-made idea.

Track 6: Plastic Islands.

Back to the fast paced, this song speaks of plastic islands and how the subject of the song would rather be in a plastic hurst. This song made me think about vacation resorts where they only show you the good side of things.

Track 7: Humanity’s End. (The Manatee Song.)

This song takes you for a roller coaster ride. From ferociously fast, to heavily slow breaks; it’s message is if we don’t
stand together, we’re doomed.

You can download for free at http://dismantle.bandcamp.com/ The band put these tracks up after they broke up.

REVIEW OF DISGUSTI’S DEMO 2013

Track 1: Disgusti

This has to be the bands anthem, (in my opinion). As they start the song fast and heavy, then chant ‘disgust!’ for the
chorus.
I think it’s pretty cool. More bands need anthems to announce themselves.

Track 2: No Great Mischief.

Starting the track off with some feed-back, it builds to a heavier, faster song that I admit I can’t understand the lyrics. Just the sound is awesome though.

Track 3: Nothing Ever At All.

Much like the first song, this track starts off quick and has anthemic, fist-pumping lyrics. (Its title are much of it’s lyrics.)
It’s only 32 seconds in length, but the band still got in alot for the track.

You can download for free at http://disgusti.bandcamp.com/ I don’t know if the band is still active or not.

REVIEW OF BURN VICTIM’S SELF TITLED TAPE

Track 1: False Entitlement.

This is my favorite Burn Victim song. It’s basically a feminist track, saying that just because you find a woman
attractive, you can’t treat her like an object. The song is completed by the perfect mixture of 80’s hard-core and metal.

Track 2: xXTuffGuyXx.

This track; which starts off slow and builds beautifully, is about macho-ism. There was such a Black Flag resemblance on
this song it’s unbelievable.

Track 3: Existential Crisis.

This song is pretty raw. The subject describes having an existential crisis, and it’s not for the faint of ears.
The accompanying music is perfect raising at the appropriate moments, and lowering when needed.

Track 4: I Can’t Be Friends With You Because I’m Not An Elitist Prick.

Touching on an important subject, (division and judgement within the Punk community), Burn Victim are spot on lyrically and musically.

You can download for free at http://burnvictummmmm.bandcamp.com/album/s-t-tape They’re a new band.

REVIEW OF MERCER AND THE CRANES’S LIVE AT THE ROCKPILE.

Track 1: Fisherman.

This song is very light and jaunty. So much so I could imagine at a fair or seaside. As the title would suggest, it tells
of a fisherman. But it also asks ‘When do the brilliant get their time?’ (I’m paraphrasing.)

Track 2: Crazy. (Gnarls Barkley cover)

We’ve all heard Crazy before. But never like this. The tempo is down considerably, it’s trance-like, and it’s almost
heart-breaking. (In a good way.)

Track 3: Seven Seas.

I could see this track working as an anthem.
It’s got grand music, lyrics that speak of not backing down, and it all works well together.

Track 4: You Oughta Know. (Alanis Morrisette Cover.)

You Oughta Know is a furious song, and this version retains the anger well.
It’s a more indie version, but that only adds to the greatness.

Track 5: Cold Nights.

A very intimate track, this is a slow track that wants you want to dance with and cuddle with your significant other
at the same time.

Track 6: Insignificant.

Another stirring Alt-Rocker, this song speaks of mistakes and moving on. It’s a little more down than Seven Seas, but it is still incredible.

You can download for free at http://mercerandthecranes.bandcamp.com/ They’re another up and coming band.

REVIEW OF ADELLEDA’S DISTRESS

Track 1: Innocence.

Opening with chugging instruments, this track speaks of defending what’s important and not letting people take those important things away.

Track 2: Taking Shots (With Todd Bertuzzi).

A solid Punk moshing song, the lyrics talk about living life wisely; but at the same time having fun. I have to say,
it’s my favorite song on the album. (I like a balanced approach.)

Track 3: 5 Months In England.

Taken from the E.P ‘Let’s Talk About Adelleda’, 5 Months In England covers the breakdown of a relationship. I confess, I prefer the E.P version, but this version has it’s merits. The lyrics are clearer and the instruments are sharper.

Track 4: Distress.

Another Punk mosher, this song is all about change and making it happen. (‘It’s time to make a change in my philosophy/ Won’t happen overnight.’)

Track 5: Roller Coasters.

A track about trust, Roller Coasters is literally just that. The instrumentation changes so much from fast to slow it’s insane.

Track 6: Something In The Water.

Opening fast and staying strong, this song is about a relationship that is not exactly the way the subject wants.

Track 7: Numbers.

The 3rd song you could easily mosh to on the album, Numbers examines different ways that numbers affect us. Time wasted, people that are deceased, etc.

Track 8: So Long.

A very political track, the lyrics in this song discuss war and guns.
The music backing it is powerful, with all instruments going all out.

You can download for free at http://adelledapunk.bandcamp.com/releases

REVIEW OF FRANKIE AND JIMMY’S LP APPETIZER 2013

Track 1: Maggie Campbell Blues. (Tommy Johnson cover.)

A cover of a Tommy Johnson song, this version is reimagined by combining Punk with Blues. (Frankie and Jimmy’s specialty.)
The lyrics talk of two women. One who is Maggie Campbell, one who is not. And the love the subject feels for each.

Track 2: Smokestack Lightning. (Howling Wolf cover.)

Another cover, Frankie and Jimmy’s version is quite unique with harmonica, tambourine, and Punk Rock vocals. The lyrics
appear to tell of lightning, but it also tells of a love story.

Track 3: Midnight Special. (Lead Belly cover.)

The final song on the album, Midnight Special is about a special light that shines down and how the subject wants it to
shine on him. It’s a cheery track, with a lighter instrumentation.

REVIEW OF GATLING’S PASSIVECLIMACTIC (Scheduled for released July 2013. Check on http://gatlingonline.bandcamp.
com for more information.)

Track 1: Vulcan.

Opening strong, this track is heavy, hard-hitting; but also anthemic. (‘Honestly you’re strong enough to turn all these negatives/ into something you can use’)
It’s new, but it’s also classic Gatling.

Track 2: Mercenary Tao!

This song is pure Metal. The instrumentation is sharp and precise, and the vocals are loud; but not overpowering.
The track is multi-faceted, covering alot of lyrical bases.

Track 3: Eleven Days To Zero.

This is a stand-out track. And for it’s lyrical content. Why? Because it’s got that hint of post-apocalyptic doom that I like.
That doesn’t mean the music is any less of a contender though. It’s makes you think of that vast, gray wasteland with joy.

Track 4: Vertigo. (Demo Version.)

Anybody who listens to Gatling knows they can throw out the Metal. But on this version of Vertigo, you are thrown back and forth between a full band; a soft acoustic guitar; and this superb breakdown that is a Jazz Ska hybrid. There are no lyrics, just this snapshot of music.

This issue I would like to thank all my family, all my friends, and all my readers. Thank you.

The 2012 Thunder Music Awards.

I think by now, most people who know me know two things:

1: I have a zine called Thunder.

2: Every year, I compile a list of what I personally think is the best in Ontario’s Punk and Alternative Rock. Whoever wins gets my unwavering support and some kind of candy in a golden wrapper to mark the occasion. (If I had the money for actual trophies, the zine probably wouldn’t exist.)

This was a, pardon my language, a fu*king fantastic year for music in Ontario. Metal, Punk, and much more filled the clubs, streets, and headphones. Whether you were taking in a free show this summer at one of many festivals, or taking in a show in the colder weather, you were sure to be in awe. (I know I was.)

Now, a few things. I’ve added some new categories for this year; I allowed for more ties, and I vow to hand out the momentos. (So bug me if you don’t get your gold-encased chocolate.)

Best Album (Punk) Tie:

Adelleda ‘Let’s Talk About Adelleda’

Born Wrong/ Klein96 Split 10″

Best Album (Non-Punk) Tie:

Gatling ‘Beforemath’

The Barettas ‘The Night Is Young’

Best Album Not From This Decade:

UXB ‘Tick Tock Boom’

Best Bassist (Female): Lindsay Campbell Beaudoin. (Rackula.)

 

Best Bassist (Male): John “Uprise” Kedini.   (The Pre-Nods.)

 

Best Guitarist (Female):Candice Skullian.    (Skullians.)

 

Best Guitarist (Male): Brandon Kummer.     (Web Society.)

 

Best Drummer (Female): Justine Cowie.                                                                                                                                                                                        (The Boys.)

 

Best Drummer (Male): Alex Sallas.                                                                                                                                                                                                (Gatling.)

 

Best Vocalist (Female): Samantha Rutherford.                                                                                                                                                                            (The Boys.)

Best Vocalist (Male): Glen Faulman.                                                                                                                                                                                                (The Steeltown Spoilers.)

Best Musician Who Plays An Instrument Uncommon To Their Genre:

Female: Alisun (no last available) Band: The Saints Are Coming. Instrument: Violin.

Male: Jim Fitzgerald. Band: The Pre-Nods. Instrument: Harmonica.

Best ‘Intense’ Performer: Nathan Ivanco. Band: NOT.

Best Duo: Frankie And Jimmy.

Best Band (All Members Under 25): NOT.

Best Band (That Sounds Like Another Decade): Wiggler!?! And The Tiny Humans.

Best Band (Mixed Gender): Skatalyst.

Best Band (All Members Over 25): The Steeltown Spoilers.

Best Band (Female-Led): Rackula.

Best Band (Male-Led): The Safety Collective.

Best Band (From Outside Of Hamilton): Armed And Hammered.

Best New Band: The Sketchbooks.

Best Band (Cover Band): The Krumones.

Best Band. (This Year. Period.): Web Society.

Best Song (Tie):

‘Champion’ Adelleda

‘Threat From The Deep’  Wiggler!?! And The Tiny Humans.

Best Band Name: Nothing Helper.

Best Album Name (Tie):

‘Lets Taco Boat Life’ NOT

‘Summertime Blues’ Wiggler!?! And The Tiny Humans

Best Solo Project (Tie):

Steve Hanson In Transit

Nathaniel Blizzard

Best Reunion:

Razor Eater.

Best Record Label (Tie):

Schizophrenic Records

Rebel Time Records

Best Event: Rebel Fest.

Best Way To Spend A Weekend: At a show.

Best Store (Punk Rock): Crash Landing.

Best Store (Non-Punk Rock): The Button Pushers.

Best Place For Rare Music (Tie):

Hammer City Records

Cheapies

Best Venue (Indoors): Crash Landing basement (R.I.P!)

Best Venue (Outdoors): Gage Park.

Best Festival (Tie):

It’s Your Festival (New Music Expo)

Burlington Sound Of Music

Best Venue Outside The City: The Horseshoe Tavern.

Best Idea: Zines Becoming Widespread Again.

 

Even though they did not win, I would like to thank the following bands/ artists. I’ve been listening to them all year, and I think they’re fantastic. I encourage everyone to check them out!

Stick and Bone

Nanochrist

Weekend Riot Club

T.V Freaks

Thunderdykes

Trampled By Turtles

The Cola Heads

The Stragglers

Paul Federici

Theatre Crisp

The Waterbodies

The Snips

Sondra Du Ville

Snakecharmer

Poison Spur

Gag Order

Bourbon DK

The Safety Collective

Slender Loris

Swords Of Texas

Sailboats Are White

Paper Lions

Senile Feline

Social Club No. 27

Ophelia Syndrome

Mean Tangerine

The Lucky Ones

Gabrielle Papillion

Emma Hill And Her Gentlemen Callers

Greasemarks

Devils Hotrod

Charlotte Cornfield

The Balconies

The Rebel Arms

Alert The Medic

Aetherborn

413s

Hold A Grudge

Nine Eleven

The Dinner Belles

Brixton Robbers (R.I.P!)

Jesse LeBourdais

Hamilton Philharmonic Orchestra

Darcy Hepner Jazz Band

Problem Children

Hockey Teeth

Sexbeast

Thunder Issue 13.

(*NOTE: This issue is with a S.C.E.N.E band I wasn’t able to interview on the day of S.C.E.N.E.)

Coincidence has to be one of my favorite parts of life.

Take this issue. This honestly wasn’t anything I did to be funny or cute, but issue number 13 of Thunder is available here on Friday the 13th.

 

The band represented is the Waterbodies. (I use the term ‘represented’ because one member, Mike McGean, answered for the band as a whole over email.)

They are an Indie Rock band with fuzzy guitars, loud drums, and clear vocals. Tons of their music is available for free download, and I suggest searching it out and loading your MP3 player.

KW: How did the band get it’s start?

MM: Shane and I started hashin’ out songs in 2008 in our bedrooms. Then we got more invested in it. It started out as songs, then it became a project, then it became a band. We both saw potential in what we were doing so we kept at it. In 2008 we recorded Sleep Like Submarines and played some shows. In late 2009 Dylan (our guitarist/backup vocals) joined as we were recording Floresta. We released Floresta in 2010 and made a music video for Crickets. We played some shows to support that EP as well. And most recently this year we added Roxy (bass) late in the recording process of our newest album, and our first full length, The Evil We Know. We’ll be releasing the album this fall and touring to support it.

KW: Before the band formed, how long had each of you been interested in becoming a musician?

MM: For me, I wasn’t really planning on doing it, I just did it as a hobby, playing shows with friends here and there. This is my first real band. Whereas Shane has been in bands before and playing in bands since high school. We all kind of grew up playing our instruments and doing it for fun, but now we decided to finally take it seriously.

KW: What made you guys decide to play the style of music you do?

MM: I think we just naturally wrote it this way. It was what we were both interested and it kind of just came out that way. At first we just started writing, and at the time there was a big “screamo” phase going on and we didn’t want so sound like that, we wanted to do something different. And now this new stuff is a genuine mix of all our styles while keeping the old shoegaze elements, mixed with a more progressive sound.

KW: I know The Waterbodies give away alot of their music as free downloads. What made you decide to go about things in that way?

MM: We just wanted to be heard. A lot more bands are doing it now a days, and we just thought we’d rather have people enjoy our music then make money off of it. But it’s awesome to hear feedback and get a reaction from people when they listen to your music, so why not let as many people as possible hear it?

KW: I’m aware that the band recently played S.C.E.N.E music festival. What was that like for you all?

MM: It’s our fourth year playing and we love it. It’s our hometown festival so it’s nice to see all our friends come out. It’s like a big party all over downtown St. Catharines and you see friends everywhere you go. There’s also a lot of great bands that play so it’s fun checking them all out too.

KW: What does summer look like for you guys? Are you planning to tour?

MM: Yes we are! We scheduling some dates for late summer. We’ve got 2 Toronto shows in August and are planning an Ontario tour for the rest of August and early September. We are then going to be releasing our first full length album this fall, it’s called The Evil We Know. Once that is out we’ll be touring some more. As of now you can download 2 free tracks from the album on our website www.waterbodies.ca

KW: Who are you guys listening to right now?

MM:

Mike: Flaming Lips, Liars, Pumpkins, Pixies, Billy Holiday
Roxy: Yeasayer, The Dirty Nil, Arctic Monkeys, Joel Plaskett, Nicolas Jaar
Dylan: Bruce Peninsula, Yukon Blonde, Said The Whale, Kimbra, Elos Arma
Shane: Mos Def, Refused, Tom Waits

 

Here, There, Everywhere, and Nowhere. All The Music I’ll Be Taking In The Next Few Weeks.

Tonight continues my massive intake of music. (3 out of 4 days at Burlington Sound Of Music was awesome.)

I’m seeing Crystaline at the Casbah. They’re a new band, and it will be interesting to take in their sound.

Then tomorrow, I head to St. Catharines for the S.C.E.N.E music festival.

In a lot of ways, I’m excited. I’ve never been to S.C.E.N.E, or St. Catharines for that matter.

I’ll be interviewing 10 bands tomorrow for the paper zine Thunder and this blog; it’s virtual copy. And of course I’ll be taking photos.

The bands I’ll be meeting range from well-known Canadian favorites (Die Mannequin) to recent up-and-comers (The Rebel Arms.)

It’s going to be an amazing day, and I can’t wait to see how it turns out.

Then next weekend, I have assigned myself two tasks:

1. Cover It’s Your Festival in Gage Park.

2. Cover the Destroy Music 7 hour concert that celebrates the release of the comp, and the life of Imants Krumins.

I feel grateful that I get to take in this music, and that it’s happening in Ontario.