What’s Coming Up In Ontario.

*Note: All prices are in Canadian funds.

 

I was thinking recently about two things.

1: We don’t have much of the year left.

2: I haven’t written recently about upcoming shows.

So I decided to gather up a bunch of dates that I knew about and put them up. I’ve seen a lot of the local bands before, so when I say a show by them would be worth seeing, take a woman at her word.

 

In the Legendary category, the Misfits play Toronto. Tonight. The venue is the Opera House, and if you feel like trying to get in, go for it! I have the start time at 6:30pm, and there are quite a few opening bands. (I only know tickets are available at Rotate This. I don’t have any information on prices.)

 

On October 26th, Witch Mountain, Swords Of Texas, Quiet Lakes, and Castle play the Doors Pub. Tickets are $10 in advance, (you can get them at Hammer City Records or Dr Disc) or $15 at the door. The show starts at 10pm.

 

Also on October 26th, there is Hallowpunk at the 460 in Toronto. Bourbon DK, The Skullians, The Rebel Arms and more play the event. It’s a 19+ show and admission is $5.

 

October 27th is this year’s Zombie Walk date!  There’s the walk, a public wedding, and more; so please check out hamiltonzombiewalk.com to plan your day! Also, please remember food for the food drive. There’s admission for some activities. (But it’s mostly under $20.)

 

Sunday Slamfest 16 happens on October 28th at This Ain’t Hollywood. It’s $6 to get in, bands go on at 3pm, and it’s All-Ages. This will be a bittersweet show, as this is Web Society’s last before they take a hiatus. They play alongside Social Divorce, The Noble Savages, and Slender Loris.

 

To celebrate Halloween, the folks at the Bovine Sex Club are throwing a Punk show. Costumes are welcome, it’s 19+, doors open at 9pm, and it’s FREE! Who’s playing? The Skullians, Black Cat Attack, and a few more.

 

Another awesome, completely FREE show takes place the same night. (Why does that always happen?)  Frankie and Jimmy, Lab Rats Assemble, and D*Files play This Ain’t Hollywood on October 30th. Show is 19+ and costumes are welcome.

 

The actual day, (and appropriately, night), of Halloween, there are at least 3 different shows to go to. Doors Pub is having a Goth/Fetish party; with candy, a horror movie marathon, and prizes for best costumes. It’s $10 admission, things kick off at 8pm, and the event is 19+.

 

This Ain’t Hollywood hosts an electronica dance party for Halloween, with Ark Analog, Dex, and more. It’s $5 to get in before 10pm, $8 after. I don’t know if this event is All-Ages or 19+.

 

Napalm Death play the Opera House on the 1st of November with municipal Waste, Vektor, and Exhumed. That’s about all I know right now though, so if you’re heading out, Go*gle the bands or check the venue for things like prices, age requirements, etc.

 

Gatling play the All-Star Bar and Grill in Brampton November 3rd. (The address is 73 Bramalea Road, Brampton. For those of you like me, that know their hometown; but after that get hopelessly lost.) Joining them is Skatalyst, Ravyn’s Fall, and quite a few more. Tickets are $10, and I don’t know if this is All-Ages or not. As always, check before you head out.

 

Also happening November 3rd, Hangman Pinata play the Doors Pub with Meathook, Miner69er, and Bad Logic. (For now. More bands are to be announced, according to my information.)  This show is 19+, costs $5, and gets started at 9pm.

 

November the 10th, Gag Order play Charlie’s in Brantford. (43 Oak Street, Brantford.) This is their bass player’s last show, so it’s sort of a send-off party/show, too. Playing alongside them are End Program, Hangman Pinata, and Hooker Spit. This show is 19+, and things get started 9pm. Admission is $5.

 

Punk and New Wave legends The Rezillos play This Ain’t Hollywood November 23rd. Rounding out the show are Wiggler!?! and The Tiny Humans, and The Fuckholes. I don’t know how much tickets will be, or if the show is All-Ages or 19+, so definitely check This Ain’t Hollywood’s site.

 

What’s better than an awesome Punk show?  Helping to give a kid a holiday.                                                                                                                       Burly Calling is having it’s annual Toy Drive on the 6th of December, and if you donate a new toy; you get to see The Spicoli’s, Adelleda, and more!  (Admission is $5 without a toy. This event is 19+. Things kick off at 9pm at Joe Dog’s Burlington. 531 Brant Street, Burlington.)

 

That’s all I know about for now. I hope everyone gets out and enjoys themselves!

 

One Year Of Thunder.

*Note: This article contains mild sarcasm and my awful jokes.

**Note: The list below contains thank-yous. Aside from my family, the order was as people came into my mind. I did not include last names or anything that people might consider private. They know who they are, and what they have done to help.

It was a dark and stormy night…. (I actually don’t remember the weather.)

But about a year ago at night, I created a zine after some friends and family members encouraged me to. (I had been writing show reviews under the Notes section of my Fa*eb*ok account for some time, and they thought it would awesome to have some paper content. Especially those without a Fa*eb*ok account.)

I worked on the zine alone. It was handwritten.  I always made a quick cover from marker or pen. I always got copies done at the library. And my first interview was my brother.

Thunder, (the zine in discussion), has changed a lot.

I now type whatever part I write, because it looks a lot tidier. I work with a partner, and we take fan submissions so I’m no longer working on the zine alone. I have WAY more cover options. (Some people could argue the new covers are better, but I don’t think anyone understood my artistic vision. I mean, I did it in PEN and in a hurry. I am so creative and avant garde.)

The machine I was most thankful for this year was a printer of my own. It’s expensive at times, but great when it’s cold out and I can print at home.

By far, the most surprising thing I experienced this past year was the interviews. How many people wanted an interview; and continue to. How people said yes when I asked. (I even requested to attend the S.C.E.N.E Festival as Media and was accepted! But I got sick the night before and had to sadly cancel all my interviews.)

I met alot of fantastic people this year, and discovered more about the people and city I admire.

That’s why I want to take this time and say thank you. Below is a list of people who have been awesome to me this year. Whether they read the zine, offered praise and encouragement, visited this site, provided a soundtrack, or were an awesome family member/ friend/ reader/, I owe them EVERYTHING. The zine would not exist, I would not have readers, and I would not have motivation. So thank you to:

My Mom and Dad

My brother

My maternal Grandmother

Nathaniel

Sue and Crash

Craig and Leah

Glen and Jody

The members of Adelleda

The members of Web Society

The members of Rackula

The members of NOT

Erik and Nina

The members of The Rebel Arms

The members of Skullians

The members of Slender Loris

The members of Wiggler!?! And The Tiny Humans

The members of Gag Order

Cyndi

The members of Nanochrist

The member of Born Wrong

The members of Bourbon DK

The members of The Nailheads

The members of The Safety Collective

Rebel Time Records

Schizophrenic Records

Jenn

The members of Gatling

The members of The Pre-Nods

The members of At What Cost

Shonagh

Hailey

The members of Nothing Helper

Kelsey

Isabella

Mike

Molly

Bobby

Laura

Rodrigo

All my readers. The ones I never see. The ones who surf this site, and the ones who pick up a zine.

 

Thank you everyone. I look forward to a new year of writing, interviews, photography, exploring this great country, and meeting cool people.

If I’ve forgotten anyone, sorry!

 

 

 

 

 

 

 

 

Review Of The September 30th Slamfest.

*NOTE: The following are the opinions of the person providing them, and are protected under the Canadian Charter Of Rights And Freedoms, Section 2 B.

**Note: All possible research has been done regarding the incident readers will read about when they come to the section about Armed and Hammered.

Recently, I noticed Sunday Slamfest, (the local monthly Punk show in my city), has been happening for 15 months. (And we’re close to another one.)

I say ‘I noticed’ because I’m peculiar person. I know anniversaries and birthdays, but I get busy having fun at events.

The result is the full awe or impact usually hits me after the event in a quiet moment by myself.

(E.g: ‘Wow. This is event 15? That’s amazing. I’m so happy for them and proud.’)

And the above was what I was feeling. I saw the bands who would be playing, who was there, and thought “They’ve done it again. Another great show.”

1st band: At What Cost.

Kicking off the afternoon, and it’s very political undertone, At What Cost went on first.

They’re always fantastic to see, because they always make you think. Their lyrics touch on themes of censorship, economics, oppression, and more.

But at the same time, they are catchy as hell. I dare anyone to listen to songs such as ‘Feels Like 1984’ and not get it stuck in their head.

Their musicianship hits just the right level too, being hard-hitting enough to feel like the kick we all need; while being appealing enough to keep anyone interested coming back for another round.

10 out of 10.

 

2nd Band: Gag Order.

Gag Order, to me, are a great example of modern Hardcore.

Most songs clock in at under 3 minutes. The instrumentation is hard-hitting. And while their songs are short, their lyrical content covers so much. Corrupt government, modern technology, lying. (And that’s just what I can think of from my MP3 player.)

They’re really one of those bands you absolutely have to see live. There’s no other way to say it.

You have to see the crowd interaction with your own eyes. You have to feel the instruments humming through the amp and your feet.

But mostly, you have to hear those songs with your own ears.

10 out of 10.

 

3rd Band: Armed and Hammered.

I’ll admit it. When I heard Armed and Hammered would be playing this past Slamfest, I felt my half giddy/half anxious feeling.

Controversy has followed this band ever since 1995. (They were part of an AIDS benefit concert to raise money for the cause. They said  something as part of a routine, and while I can see how people would be hurt, I believe it was part of that routine. I don’t think the band meant any ill-intent, especially when the words are placed with the rest of the routine. But as always, I can’t speak for anyone and they can’t speak for me. I can only know why I do things, and I believe that is true for everyone.)

Now, as for the show I attended, it was eventful and uneventful at the same time. (Which was perfect.)

It was uneventful in the way that no bad controversy happened. (No one misinterpreted anything, no one replaced the Armed and Hammered performance with an R.E.M video, etc.)

And it was eventful in the way that I’ve gotten to see yet another amazing Canadian Punk band. The band has been going, in some form or another, since 1989.

Seeing this band, like seeing any of the Greats, was like seeing a wonder of the world.

10 out of 10.

Review Of The Safety Collective & Web Society at Homegrown Hamilton.

*Note: I did a few things in one night, so I’ll be doing one of my rare combination reviews.

There are some nights in Hamilton. I don’t know where they’ll take me, and I’m glad they went that way.

I had one such night on the 12th.

After viewing artist Pat Bellamy’s latest collection at Hammer City Records, I headed to Homegrown Hamilton to see The Safety Collective and Web Society. (The poster had the show tagged as ‘2 bands, 3 hours of music’ or something along that line. So I was all for going.)

Along with a great show by the artist and the bands, I got a preview of a new zine, I tried my hand at bass, and stumbled on either the beginning or end of a secret show.

This was my night:

1st event: Viewing Pat Bellamy’s collection.

The style of Pat Bellamy, no matter the medium he chooses to expresses himself in, demands either a good long look or a couple of quick takes where you see something different each time.

The reason?  The art contains a lot. Little jokes. Great colours. Things we can relate to. And that’s just what I’m took away from it. As with all art, I’m sure others see different things from me, and I’m sure Pat himself has a completely different take as the actually creator of the collection.

The collection is fantastic, and I encourage everyone to see it before the next Art Crawl. It’s on display at Hammer City Records. (228 James St. North.)

2nd event: Seeing A Little Bit Of A Secret Show.

I won’t reveal the band, (it’s a secret), but I got to see the either the end or beginning of their show in the alleyway of Hammer City Records. While I obviously wish I could have seen more, it was really fun to stumble into something I hadn’t even been looking for. That’s what I think adventures are.

3rd Event: Receiving and reading the preview of Clusterbomb.

Along with being the drummer of Web Society, Stephen Petrina is also a great artist and has a fantastic way with words. He’s been talking about doing a zine for a while, and I’ve been waiting impatiently for a while.

Well, the preview for the zine finally got here. And let’s say I’m waiting impatiently again. For the first issue. (The preview was telling everyone what they could expect, some drawings, and the like.)  I think Clusterbomb is going to be good.

4th Event: Seeing The Bands.

This was the last part of my night, and I had expected it to be quiet and a sit-down kind of event. Not so, and that isn’t a bad thing.

1st Band: Web Society.

I’ve seen Web Society a fair number of times, and the best sets are always the ones where they mix things up.

The night of Art Crawl, the band had one of those sets. They gave one of the best performances I’ve seen them give. (Rivaled only by their hometown Stoney Creek show.) They played much of their ‘Gutter’ demo material, which I thought was awesome. (Those songs are my personal favorites of theirs.) And the three generally kicked ass through their words and instruments.

It’s not often I’ll give a show Historical status, but there you have it. Web Society had a set that I’ll keep in my Historical files. (Believe me, it’s a select few.)

10 out of 10.

 

2nd Band: The Safety Collective.

Lest anyone get the wrong idea, The Safety Collective was not to be out-done.

Singer Stephen James Hanson was sick, but he played awesomely to the end of the set. The other two band members were no slack-a*ses either. The drummer broke out a mini hip-hop set, and the bass player was lightning quick and capable when it came to switching between all three instruments.

And that’s what I think the band’s two strengths are. Switching, and social activism.

They change instruments regularly. They mix genres.  All the vocal stylings are different. But in-between songs, and the songs content themselves, talk about either our city or world; and what can be done to make it better.

But if two things also remain the same for The Safety Collective, it’s that they seem to put their fans enjoyment and knowledge first.

I’m giving this set a Historical stamp too. I’ve never seen live hip-hop before, I’m all for a good cause, and I love awesome music.

10 out of 10.

 

Hate Isn’t A Part Of My Punk Rock.

*NOTE: By my definition of Hamilton Punk, I include those that come in from surrounding municipalities, provinces, and even countries who share the idea of an inclusive scene.

I think Hamilton is a really great place and I love it here.

Part of it is the art. Part of it is the feeling. Part of it is the music.

But the biggest part is the people. I grew up here, and I know that most people in Hamilton are nice. But since I’ve started going to Punk shows, I have witnessed the best in people. Truly, 98% of the people in Punk are the best people you could ever meet.

That’s why I am saddened it when people with extreme, hateful views have to stir the pot and attempt to wreck everyone else’s good time at a show. (Like they did at Doors Pub the other night.) Or even in life.

I will not mention these people much, except to say that they have views that no one should hold. And this group has committed violence time and time again.

The people, music, shows, and venues I love makes EVERYONE feel like they are at home. Not just those that look a certain way.

I believe anybody that wants to have fun at a show should be welcomed. (I was at Slamfest a few weeks ago and there were some new faces. I hope they become regulars.)

ANYBODY who spouts hates for a certain colour, race, gender etc should be tossed out. That kind of hate isn’t a part of Punk Rock.

Hell, it isn’t a part of any music.